## HUCKLEBERRY FINN, By Mark Twain, Part 3.

    The Project Gutenberg EBook Huckleberry Finn, by Mark Twain, Part 3.
    #90 in our series by Mark Twain (Samuel Clemens)[Chapters 11-15]

    Copyright laws are changing all over the world. Be sure to check the
    copyright laws for your country before downloading or redistributing
    this or any other Project Gutenberg eBook.

    This header should be the first thing seen when viewing this Project
    Gutenberg file.  Please do not remove it.  Do not change or edit the
    header without written permission.

    Please read the "legal small print," and other information about the
    eBook and Project Gutenberg at the bottom of this file.  Included is
    important information about your specific rights and restrictions in
    how the file may be used.  You can also find out about how to make a
    donation to Project Gutenberg, and how to get involved.

    **Welcome To The World of Free Plain Vanilla Electronic Texts**

    **EBooks Readable By Both Humans and By Computers, Since 1971**

    *****These EBooks Were Prepared By Thousands of Volunteers*****

    Title: Adventures of Huckleberry Finn, Part 3.[Chapters 11-15]

    Author: Mark Twain (Samuel Clemens)

    Release Date: December 2004  [EBook #7102]
    [This file was first posted on March 10, 2003]

    Edition: 10

    Language: English

    Character set encoding: ASCII

    *** START OF THE PROJECT GUTENBERG EBOOK HUCK FINN, BY TWAIN, PART 3.***

    This file was produced by David Widger, [widger@cecomet.net]

# ADVENTURES
OF
HUCKLEBERRY FINN

### (Tom Sawyer's Comrade)

## By Mark Twain

> > > ## CONTENTS.

> > > CHAPTER XI.
> > > Huck and the Woman.—The Search.—Prevarication.—Going to Goshen.

> > > CHAPTER XII.
> > > Slow Navigation.—Borrowing Things.—Boarding the Wreck.—The
> > > Plotters.—Hunting for the Boat.

> > > CHAPTER XIII.
> > > Escaping from the Wreck.—The Watchman.—Sinking.

> > > CHAPTER XIV.
> > > A General Good Time.—The Harem.—French.

> > > CHAPTER XV.
> > > Huck Loses the Raft.—In the Fog.—Huck Finds the Raft.—Trash.

## ILLUSTRATIONS.

"Come In"
"Him and another Man"
She puts up a Snack
"Hump Yourself"
On the Raft
He sometimes Lifted a Chicken
"Please don't, Bill"
"It ain't Good Morals"
"Oh! Lordy, Lordy!"
In a Fix
"Hello, What's Up?"
The Wreck
We turned in and Slept
Turning over the Truck
Solomon and his Million Wives
The story of "Sollermun"
"We Would Sell the Raft"
Among the Snags
Asleep on the Raft

> > EXPLANATORY

> > IN this book a number of dialects are used, to wit: the Missouri negro dialect; the extremest form of the backwoods Southwestern dialect; the ordinary "Pike County" dialect; and four modified varieties of this last. The shadings have not been done in a haphazard fashion, or by guesswork; but painstakingly, and with the trustworthy guidance and support of personal familiarity with these several forms of speech.

> > I make this explanation for the reason that without it many readers would suppose that all these characters were trying to talk alike and not succeeding.

> > THE AUTHOR.

# HUCKLEBERRY FINN

Scene: The Mississippi Valley Time: Forty to fifty years ago

CHAPTER XI.

"COME in," says the woman, and I did. She says: "Take a cheer."

I done it. She looked me all over with her little shiny eyes, and says:

"What might your name be?"

"Sarah Williams."

"Where 'bouts do you live? In this neighborhood?'

"No'm. In Hookerville, seven mile below. I've walked all the way and I'm all tired out."

"Hungry, too, I reckon. I'll find you something."

"No'm, I ain't hungry. I was so hungry I had to stop two miles below here at a farm; so I ain't hungry no more. It's what makes me so late. My mother's down sick, and out of money and everything, and I come to tell my uncle Abner Moore. He lives at the upper end of the town, she says. I hain't ever been here before. Do you know him?"

"No; but I don't know everybody yet. I haven't lived here quite two weeks. It's a considerable ways to the upper end of the town. You better stay here all night. Take off your bonnet."

"No," I says; "I'll rest a while, I reckon, and go on. I ain't afeared of the dark."

She said she wouldn't let me go by myself, but her husband would be in by and by, maybe in a hour and a half, and she'd send him along with me. Then she got to talking about her husband, and about her relations up the river, and her relations down the river, and about how much better off they used to was, and how they didn't know but they'd made a mistake coming to our town, instead of letting well alone—and so on and so on, till I was afeard I had made a mistake coming to her to find out what was going on in the town; but by and by she dropped on to pap and the murder, and then I was pretty willing to let her clatter right along. She told about me and Tom Sawyer finding the six thousand dollars (only she got it ten) and all about pap and what a hard lot he was, and what a hard lot I was, and at last she got down to where I was murdered. I says:

"Who done it? We've heard considerable about these goings on down in Hookerville, but we don't know who 'twas that killed Huck Finn."

"Well, I reckon there's a right smart chance of people HERE that'd like to know who killed him. Some think old Finn done it himself."

"No—is that so?"

"Most everybody thought it at first. He'll never know how nigh he come to getting lynched. But before night they changed around and judged it was done by a runaway nigger named Jim."

"Why HE—"

I stopped. I reckoned I better keep still. She run on, and never noticed I had put in at all:

"The nigger run off the very night Huck Finn was killed. So there's a reward out for him—three hundred dollars. And there's a reward out for old Finn, too—two hundred dollars. You see, he come to town the morning after the murder, and told about it, and was out with 'em on the ferryboat hunt, and right away after he up and left. Before night they wanted to lynch him, but he was gone, you see. Well, next day they found out the nigger was gone; they found out he hadn't ben seen sence ten o'clock the night the murder was done. So then they put it on him, you see; and while they was full of it, next day, back comes old Finn, and went boo-hooing to Judge Thatcher to get money to hunt for the nigger all over Illinois with. The judge gave him some, and that evening he got drunk, and was around till after midnight with a couple of mighty hard-looking strangers, and then went off with them. Well, he hain't come back sence, and they ain't looking for him back till this thing blows over a little, for people thinks now that he killed his boy and fixed things so folks would think robbers done it, and then he'd get Huck's money without having to bother a long time with a lawsuit. People do say he warn't any too good to do it. Oh, he's sly, I reckon. If he don't come back for a year he'll be all right. You can't prove anything on him, you know; everything will be quieted down then, and he'll walk in Huck's money as easy as nothing."

"Yes, I reckon so, 'm. I don't see nothing in the way of it. Has everybody guit thinking the nigger done it?"

"Oh, no, not everybody. A good many thinks he done it. But they'll get the nigger pretty soon now, and maybe they can scare it out of him."

"Why, are they after him yet?"

"Well, you're innocent, ain't you! Does three hundred dollars lay around every day for people to pick up? Some folks think the nigger ain't far from here. I'm one of them—but I hain't talked it around. A few days ago I was talking with an old couple that lives next door in the log shanty, and they happened to say hardly anybody ever goes to that island over yonder that they call Jackson's Island. Don't anybody live there? says I. No, nobody, says they. I didn't say any more, but I done some thinking. I was pretty near certain I'd seen smoke over there, about the head of the island, a day or two before that, so I says to myself, like as not that nigger's hiding over there; anyway, says I, it's worth the trouble to give the place a hunt. I hain't seen any smoke sence, so I reckon maybe he's gone, if it was him; but husband's going over to see—him and another man. He was gone up the river; but he got back to-day, and I told him as soon as he got here two hours ago."

I had got so uneasy I couldn't set still. I had to do something with my hands; so I took up a needle off of the table and went to threading it. My hands shook, and I was making a bad job of it. When the woman stopped talking I looked up, and she was looking at me pretty curious and smiling a little. I put down the needle and thread, and let on to be interested —and I was, too—and says:

"Three hundred dollars is a power of money. I wish my mother could get it. Is your husband going over there to-night?"

"Oh, yes. He went up-town with the man I was telling you of, to get a boat and see if they could borrow another gun. They'll go over after midnight."

"Couldn't they see better if they was to wait till daytime?"

"Yes. And couldn't the nigger see better, too? After midnight he'll likely be asleep, and they can slip around through the woods and hunt up his camp fire all the better for the dark, if he's got one."

"I didn't think of that."

The woman kept looking at me pretty curious, and I didn't feel a bit comfortable. Pretty soon she says"

"What did you say your name was, honey?"

"M—Mary Williams."

Somehow it didn't seem to me that I said it was Mary before, so I didn't look up—seemed to me I said it was Sarah; so I felt sort of cornered, and was afeared maybe I was looking it, too. I wished the woman would say something more; the longer she set still the uneasier I was. But now she says:

"Honey, I thought you said it was Sarah when you first come in?"

"Oh, yes'm, I did. Sarah Mary Williams. Sarah's my first name. Some calls me Sarah, some calls me Mary."

"Oh, that's the way of it?"

"Yes'm."

I was feeling better then, but I wished I was out of there, anyway. I couldn't look up yet.

Well, the woman fell to talking about how hard times was, and how poor they had to live, and how the rats was as free as if they owned the place, and so forth and so on, and then I got easy again. She was right about the rats. You'd see one stick his nose out of a hole in the corner every little while. She said she had to have things handy to throw at them when she was alone, or they wouldn't give her no peace. She showed me a bar of lead twisted up into a knot, and said she was a good shot with it generly, but she'd wrenched her arm a day or two ago, and didn't know whether she could throw true now. But she watched for a chance, and directly banged away at a rat; but she missed him wide, and said "Ouch!" it hurt her arm so. Then she told me to try for the next one. I wanted to be getting away before the old man got back, but of course I didn't let on. I got the thing, and the first rat that showed his nose I let drive, and if he'd a stayed where he was he'd a been a tolerable sick rat. She said that was first-rate, and she reckoned I would hive the next one. She went and got the lump of lead and fetched it back, and brought along a hank of yarn which she wanted me to help her with. I held up my two hands and she put the hank over them, and went on talking about her and her husband's matters. But she broke off to say:

"Keep your eye on the rats. You better have the lead in your lap, handy."

So she dropped the lump into my lap just at that moment, and I clapped my legs together on it and she went on talking. But only about a minute. Then she took off the hank and looked me straight in the face, and very pleasant, and says:

"Come, now, what's your real name?"

"Wh—what, mum?"

"What's your real name? Is it Bill, or Tom, or Bob?—or what is it?"

I reckon I shook like a leaf, and I didn't know hardly what to do. But I says:

"Please to don't poke fun at a poor girl like me, mum. If I'm in the way here, I'll—"

"No, you won't. Set down and stay where you are. I ain't going to hurt you, and I ain't going to tell on you, nuther. You just tell me your secret, and trust me. I'll keep it; and, what's more, I'll help you. So'll my old man if you want him to. You see, you're a runaway 'prentice, that's all. It ain't anything. There ain't no harm in it. You've been treated bad, and you made up your mind to cut. Bless you, child, I wouldn't tell on you. Tell me all about it now, that's a good boy."

So I said it wouldn't be no use to try to play it any longer, and I would just make a clean breast and tell her everything, but she musn't go back on her promise. Then I told her my father and mother was dead, and the law had bound me out to a mean old farmer in the country thirty mile back from the river, and he treated me so bad I couldn't stand it no longer; he went away to be gone a couple of days, and so I took my chance and stole some of his daughter's old clothes and cleared out, and I had been three nights coming the thirty miles. I traveled nights, and hid daytimes and slept, and the bag of bread and meat I carried from home lasted me all the way, and I had a-plenty. I said I believed my uncle Abner Moore would take care of me, and so that was why I struck out for this town of Goshen.

"Goshen, child? This ain't Goshen. This is St. Petersburg. Goshen's ten mile further up the river. Who told you this was Goshen?"

"Why, a man I met at daybreak this morning, just as I was going to turn into the woods for my regular sleep. He told me when the roads forked I must take the right hand, and five mile would fetch me to Goshen."

"He was drunk, I reckon. He told you just exactly wrong."

"Well, he did act like he was drunk, but it ain't no matter now. I got to be moving along. I'll fetch Goshen before daylight."

"Hold on a minute. I'll put you up a snack to eat. You might want it."

So she put me up a snack, and says:

"Say, when a cow's laying down, which end of her gets up first? Answer up prompt now—don't stop to study over it. Which end gets up first?"

"The hind end, mum."

"Well, then, a horse?"

"The for'rard end, mum."

"Which side of a tree does the moss grow on?"

"North side."

"If fifteen cows is browsing on a hillside, how many of them eats with their heads pointed the same direction?"

"The whole fifteen, mum."

"Well, I reckon you HAVE lived in the country. I thought maybe you was trying to hocus me again. What's your real name, now?"

"George Peters, mum."

"Well, try to remember it, George. Don't forget and tell me it's Elexander before you go, and then get out by saying it's George Elexander when I catch you. And don't go about women in that old calico. You do a girl tolerable poor, but you might fool men, maybe. Bless you, child, when you set out to thread a needle don't hold the thread still and fetch the needle up to it; hold the needle still and poke the thread at it; that's the way a woman most always does, but a man always does t'other way. And when you throw at a rat or anything, hitch yourself up a tiptoe and fetch your hand up over your head as awkward as you can, and miss your rat about six or seven foot. Throw stiff-armed from the shoulder, like there was a pivot there for it to turn on, like a girl; not from the wrist and elbow, with your arm out to one side, like a boy. And, mind you, when a girl tries to catch anything in her lap she throws her knees apart; she don't clap them together, the way you did when you catched the lump of lead. Why, I spotted you for a boy when you was threading the needle; and I contrived the other things just to make certain. Now trot along to your uncle, Sarah Mary Williams George Elexander Peters, and if you get into trouble you send word to Mrs. Judith Loftus, which is me, and I'll do what I can to get you out of it. Keep the river road all the way, and next time you tramp take shoes and socks with you. The river road's a rocky one, and your feet'll be in a condition when you get to Goshen, I reckon."

I went up the bank about fifty yards, and then I doubled on my tracks and slipped back to where my canoe was, a good piece below the house. I jumped in, and was off in a hurry. I went up-stream far enough to make the head of the island, and then started across. I took off the sun-bonnet, for I didn't want no blinders on then. When I was about the middle I heard the clock begin to strike, so I stops and listens; the sound come faint over the water but clear—eleven. When I struck the head of the island I never waited to blow, though I was most winded, but I shoved right into the timber where my old camp used to be, and started a good fire there on a high and dry spot.

Then I jumped in the canoe and dug out for our place, a mile and a half below, as hard as I could go. I landed, and slopped through the timber and up the ridge and into the cavern. There Jim laid, sound asleep on the ground. I roused him out and says:

"Git up and hump yourself, Jim! There ain't a minute to lose. They're after us!"

Jim never asked no questions, he never said a word; but the way he worked for the next half an hour showed about how he was scared. By that time everything we had in the world was on our raft, and she was ready to be shoved out from the willow cove where she was hid. We put out the camp fire at the cavern the first thing, and didn't show a candle outside after that.

I took the canoe out from the shore a little piece, and took a look; but if there was a boat around I couldn't see it, for stars and shadows ain't good to see by. Then we got out the raft and slipped along down in the shade, past the foot of the island dead still—never saying a word.

CHAPTER XII.

IT must a been close on to one o'clock when we got below the island at last, and the raft did seem to go mighty slow. If a boat was to come along we was going to take to the canoe and break for the Illinois shore; and it was well a boat didn't come, for we hadn't ever thought to put the gun in the canoe, or a fishing-line, or anything to eat. We was in ruther too much of a sweat to think of so many things. It warn't good judgment to put EVERYTHING on the raft.

If the men went to the island I just expect they found the camp fire I built, and watched it all night for Jim to come. Anyways, they stayed away from us, and if my building the fire never fooled them it warn't no fault of mine. I played it as low down on them as I could.

When the first streak of day began to show we tied up to a towhead in a big bend on the Illinois side, and hacked off cottonwood branches with the hatchet, and covered up the raft with them so she looked like there had been a cave-in in the bank there. A tow-head is a sandbar that has cottonwoods on it as thick as harrow-teeth.

We had mountains on the Missouri shore and heavy timber on the Illinois side, and the channel was down the Missouri shore at that place, so we warn't afraid of anybody running across us. We laid there all day, and watched the rafts and steamboats spin down the Missouri shore, and up-bound steamboats fight the big river in the middle. I told Jim all about the time I had jabbering with that woman; and Jim said she was a smart one, and if she was to start after us herself she wouldn't set down and watch a camp fire—no, sir, she'd fetch a dog. Well, then, I said, why couldn't she tell her husband to fetch a dog? Jim said he bet she did think of it by the time the men was ready to start, and he believed they must a gone up-town to get a dog and so they lost all that time, or else we wouldn't be here on a towhead sixteen or seventeen mile below the village—no, indeedy, we would be in that same old town again. So I said I didn't care what was the reason they didn't get us as long as they didn't.

When it was beginning to come on dark we poked our heads out of the cottonwood thicket, and looked up and down and across; nothing in sight; so Jim took up some of the top planks of the raft and built a snug wigwam to get under in blazing weather and rainy, and to keep the things dry. Jim made a floor for the wigwam, and raised it a foot or more above the level of the raft, so now the blankets and all the traps was out of reach of steamboat waves. Right in the middle of the wigwam we made a layer of dirt about five or six inches deep with a frame around it for to hold it to its place; this was to build a fire on in sloppy weather or chilly; the wigwam would keep it from being seen. We made an extra steering-oar, too, because one of the others might get broke on a snag or something. We fixed up a short forked stick to hang the old lantern on, because we must always light the lantern whenever we see a steamboat coming down- stream, to keep from getting run over; but we wouldn't have to light it for up-stream boats unless we see we was in what they call a "crossing"; for the river was pretty high yet, very low banks being still a little under water; so up-bound boats didn't always run the channel, but hunted easy water.

This second night we run between seven and eight hours, with a current that was making over four mile an hour. We catched fish and talked, and we took a swim now and then to keep off sleepiness. It was kind of solemn, drifting down the big, still river, laying on our backs looking up at the stars, and we didn't ever feel like talking loud, and it warn't often that we laughed—only a little kind of a low chuckle. We had mighty good weather as a general thing, and nothing ever happened to us at all—that night, nor the next, nor the next.

Every night we passed towns, some of them away up on black hillsides, nothing but just a shiny bed of lights; not a house could you see. The fifth night we passed St. Louis, and it was like the whole world lit up. In St. Petersburg they used to say there was twenty or thirty thousand people in St. Louis, but I never believed it till I see that wonderful spread of lights at two o'clock that still night. There warn't a sound there; everybody was asleep.

Every night now I used to slip ashore towards ten o'clock at some little village, and buy ten or fifteen cents' worth of meal or bacon or other stuff to eat; and sometimes I lifted a chicken that warn't roosting comfortable, and took him along. Pap always said, take a chicken when you get a chance, because if you don't want him yourself you can easy find somebody that does, and a good deed ain't ever forgot. I never see pap when he didn't want the chicken himself, but that is what he used to say, anyway.

Mornings before daylight I slipped into cornfields and borrowed a watermelon, or a mushmelon, or a punkin, or some new corn, or things of that kind. Pap always said it warn't no harm to borrow things if you was meaning to pay them back some time; but the widow said it warn't anything but a soft name for stealing, and no decent body would do it. Jim said he reckoned the widow was partly right and pap was partly right; so the best way would be for us to pick out two or three things from the list and say we wouldn't borrow them any more—then he reckoned it wouldn't be no harm to borrow the others. So we talked it over all one night, drifting along down the river, trying to make up our minds whether to drop the watermelons, or the cantelopes, or the mushmelons, or what. But towards daylight we got it all settled satisfactory, and concluded to drop crabapples and p'simmons. We warn't feeling just right before that, but it was all comfortable now. I was glad the way it come out, too, because crabapples ain't ever good, and the p'simmons wouldn't be ripe for two or three months yet.

We shot a water-fowl now and then that got up too early in the morning or didn't go to bed early enough in the evening. Take it all round, we lived pretty high.

The fifth night below St. Louis we had a big storm after midnight, with a power of thunder and lightning, and the rain poured down in a solid sheet. We stayed in the wigwam and let the raft take care of itself. When the lightning glared out we could see a big straight river ahead, and high, rocky bluffs on both sides. By and by says I, "Hel-LO, Jim, looky yonder!" It was a steamboat that had killed herself on a rock. We was drifting straight down for her. The lightning showed her very distinct. She was leaning over, with part of her upper deck above water, and you could see every little chimbly-guy clean and clear, and a chair by the big bell, with an old slouch hat hanging on the back of it, when the flashes come.

Well, it being away in the night and stormy, and all so mysterious-like, I felt just the way any other boy would a felt when I see that wreck laying there so mournful and lonesome in the middle of the river. I wanted to get aboard of her and slink around a little, and see what there was there. So I says:

"Le's land on her, Jim."

But Jim was dead against it at first. He says:

"I doan' want to go fool'n 'long er no wrack. We's doin' blame' well, en we better let blame' well alone, as de good book says. Like as not dey's a watchman on dat wrack."

"Watchman your grandmother," I says; "there ain't nothing to watch but the texas and the pilot-house; and do you reckon anybody's going to resk his life for a texas and a pilot-house such a night as this, when it's likely to break up and wash off down the river any minute?" Jim couldn't say nothing to that, so he didn't try. "And besides," I says, "we might borrow something worth having out of the captain's stateroom. Seegars, I bet you—and cost five cents apiece, solid cash. Steamboat captains is always rich, and get sixty dollars a month, and THEY don't care a cent what a thing costs, you know, long as they want it. Stick a candle in your pocket; I can't rest, Jim, till we give her a rummaging. Do you reckon Tom Sawyer would ever go by this thing? Not for pie, he wouldn't. He'd call it an adventure—that's what he'd call it; and he'd land on that wreck if it was his last act. And wouldn't he throw style into it?—wouldn't he spread himself, nor nothing? Why, you'd think it was Christopher C'lumbus discovering Kingdom-Come. I wish Tom Sawyer WAS here."

Jim he grumbled a little, but give in. He said we mustn't talk any more than we could help, and then talk mighty low. The lightning showed us the wreck again just in time, and we fetched the stabboard derrick, and made fast there.

The deck was high out here. We went sneaking down the slope of it to labboard, in the dark, towards the texas, feeling our way slow with our feet, and spreading our hands out to fend off the guys, for it was so dark we couldn't see no sign of them. Pretty soon we struck the forward end of the skylight, and clumb on to it; and the next step fetched us in front of the captain's door, which was open, and by Jimminy, away down through the texas-hall we see a light! and all in the same second we seem to hear low voices in yonder!

Jim whispered and said he was feeling powerful sick, and told me to come along. I says, all right, and was going to start for the raft; but just then I heard a voice wail out and say:

"Oh, please don't, boys; I swear I won't ever tell!"

Another voice said, pretty loud:

"It's a lie, Jim Turner. You've acted this way before. You always want more'n your share of the truck, and you've always got it, too, because you've swore 't if you didn't you'd tell. But this time you've said it jest one time too many. You're the meanest, treacherousest hound in this country."

By this time Jim was gone for the raft. I was just a-biling with curiosity; and I says to myself, Tom Sawyer wouldn't back out now, and so I won't either; I'm a-going to see what's going on here. So I dropped on my hands and knees in the little passage, and crept aft in the dark till there warn't but one stateroom betwixt me and the cross-hall of the texas. Then in there I see a man stretched on the floor and tied hand and foot, and two men standing over him, and one of them had a dim lantern in his hand, and the other one had a pistol. This one kept pointing the pistol at the man's head on the floor, and saying:

"I'd LIKE to! And I orter, too—a mean skunk!"

The man on the floor would shrivel up and say, "Oh, please don't, Bill; I hain't ever goin' to tell."

And every time he said that the man with the lantern would laugh and say:

"'Deed you AIN'T! You never said no truer thing 'n that, you bet you." And once he said: "Hear him beg! and yit if we hadn't got the best of him and tied him he'd a killed us both. And what FOR? Jist for noth'n. Jist because we stood on our RIGHTS—that's what for. But I lay you ain't a-goin' to threaten nobody any more, Jim Turner. Put UP that pistol, Bill."

Bill says:

"I don't want to, Jake Packard. I'm for killin' him—and didn't he kill old Hatfield jist the same way—and don't he deserve it?"

"But I don't WANT him killed, and I've got my reasons for it."

"Bless yo' heart for them words, Jake Packard! I'll never forgit you long's I live!" says the man on the floor, sort of blubbering.

Packard didn't take no notice of that, but hung up his lantern on a nail and started towards where I was there in the dark, and motioned Bill to come. I crawfished as fast as I could about two yards, but the boat slanted so that I couldn't make very good time; so to keep from getting run over and catched I crawled into a stateroom on the upper side. The man came a-pawing along in the dark, and when Packard got to my stateroom, he says:

"Here—come in here."

And in he come, and Bill after him. But before they got in I was up in the upper berth, cornered, and sorry I come. Then they stood there, with their hands on the ledge of the berth, and talked. I couldn't see them, but I could tell where they was by the whisky they'd been having. I was glad I didn't drink whisky; but it wouldn't made much difference anyway, because most of the time they couldn't a treed me because I didn't breathe. I was too scared. And, besides, a body COULDN'T breathe and hear such talk. They talked low and earnest. Bill wanted to kill Turner. He says:

"He's said he'll tell, and he will. If we was to give both our shares to him NOW it wouldn't make no difference after the row and the way we've served him. Shore's you're born, he'll turn State's evidence; now you hear ME. I'm for putting him out of his troubles."

"So'm I," says Packard, very quiet.

"Blame it, I'd sorter begun to think you wasn't. Well, then, that's all right. Le's go and do it."

"Hold on a minute; I hain't had my say yit. You listen to me. Shooting's good, but there's quieter ways if the thing's GOT to be done. But what I say is this: it ain't good sense to go court'n around after a halter if you can git at what you're up to in some way that's jist as good and at the same time don't bring you into no resks. Ain't that so?"

"You bet it is. But how you goin' to manage it this time?"

"Well, my idea is this: we'll rustle around and gather up whatever pickins we've overlooked in the staterooms, and shove for shore and hide the truck. Then we'll wait. Now I say it ain't a-goin' to be more'n two hours befo' this wrack breaks up and washes off down the river. See? He'll be drownded, and won't have nobody to blame for it but his own self. I reckon that's a considerble sight better 'n killin' of him. I'm unfavorable to killin' a man as long as you can git aroun' it; it ain't good sense, it ain't good morals. Ain't I right?"

"Yes, I reck'n you are. But s'pose she DON'T break up and wash off?"

"Well, we can wait the two hours anyway and see, can't we?"

"All right, then; come along."

So they started, and I lit out, all in a cold sweat, and scrambled forward. It was dark as pitch there; but I said, in a kind of a coarse whisper, "Jim !" and he answered up, right at my elbow, with a sort of a moan, and I says:

"Quick, Jim, it ain't no time for fooling around and moaning; there's a gang of murderers in yonder, and if we don't hunt up their boat and set her drifting down the river so these fellows can't get away from the wreck there's one of 'em going to be in a bad fix. But if we find their boat we can put ALL of 'em in a bad fix—for the sheriff 'll get 'em. Quick—hurry! I'll hunt the labboard side, you hunt the stabboard. You start at the raft, and—"

"Oh, my lordy, lordy! RAF'? Dey ain' no raf' no mo'; she done broke loose en gone I—en here we is!"

CHAPTER XIII.

WELL, I catched my breath and most fainted. Shut up on a wreck with such a gang as that! But it warn't no time to be sentimentering. We'd GOT to find that boat now—had to have it for ourselves. So we went a-quaking and shaking down the stabboard side, and slow work it was, too—seemed a week before we got to the stern. No sign of a boat. Jim said he didn't believe he could go any further—so scared he hadn't hardly any strength left, he said. But I said, come on, if we get left on this wreck we are in a fix, sure. So on we prowled again. We struck for the stern of the texas, and found it, and then scrabbled along forwards on the skylight, hanging on from shutter to shutter, for the edge of the skylight was in the water. When we got pretty close to the cross-hall door there was the skiff, sure enough! I could just barely see her. I felt ever so thankful. In another second I would a been aboard of her, but just then the door opened. One of the men stuck his head out only about a couple of foot from me, and I thought I was gone; but he jerked it in again, and says:

"Heave that blame lantern out o' sight, Bill!"

He flung a bag of something into the boat, and then got in himself and set down. It was Packard. Then Bill HE come out and got in. Packard says, in a low voice:

"All ready—shove off!"

I couldn't hardly hang on to the shutters, I was so weak. But Bill says:

"Hold on—'d you go through him?"

"No. Didn't you?"

"No. So he's got his share o' the cash yet."

"Well, then, come along; no use to take truck and leave money."

"Say, won't he suspicion what we're up to?"

"Maybe he won't. But we got to have it anyway. Come along."

So they got out and went in.

The door slammed to because it was on the careened side; and in a half second I was in the boat, and Jim come tumbling after me. I out with my knife and cut the rope, and away we went!

We didn't touch an oar, and we didn't speak nor whisper, nor hardly even breathe. We went gliding swift along, dead silent, past the tip of the paddle-box, and past the stern; then in a second or two more we was a hundred yards below the wreck, and the darkness soaked her up, every last sign of her, and we was safe, and knowed it.

When we was three or four hundred yards down-stream we see the lantern show like a little spark at the texas door for a second, and we knowed by that that the rascals had missed their boat, and was beginning to understand that they was in just as much trouble now as Jim Turner was.

Then Jim manned the oars, and we took out after our raft. Now was the first time that I begun to worry about the men—I reckon I hadn't had time to before. I begun to think how dreadful it was, even for murderers, to be in such a fix. I says to myself, there ain't no telling but I might come to be a murderer myself yet, and then how would I like it? So says I to Jim:

"The first light we see we'll land a hundred yards below it or above it, in a place where it's a good hiding-place for you and the skiff, and then I'll go and fix up some kind of a yarn, and get somebody to go for that gang and get them out of their scrape, so they can be hung when their time comes."

But that idea was a failure; for pretty soon it begun to storm again, and this time worse than ever. The rain poured down, and never a light showed; everybody in bed, I reckon. We boomed along down the river, watching for lights and watching for our raft. After a long time the rain let up, but the clouds stayed, and the lightning kept whimpering, and by and by a flash showed us a black thing ahead, floating, and we made for it.

It was the raft, and mighty glad was we to get aboard of it again. We seen a light now away down to the right, on shore. So I said I would go for it. The skiff was half full of plunder which that gang had stole there on the wreck. We hustled it on to the raft in a pile, and I told Jim to float along down, and show a light when he judged he had gone about two mile, and keep it burning till I come; then I manned my oars and shoved for the light. As I got down towards it three or four more showed—up on a hillside. It was a village. I closed in above the shore light, and laid on my oars and floated. As I went by I see it was a lantern hanging on the jackstaff of a double-hull ferryboat. I skimmed around for the watchman, a-wondering whereabouts he slept; and by and by I found him roosting on the bitts forward, with his head down between his knees. I gave his shoulder two or three little shoves, and begun to cry.

He stirred up in a kind of a startlish way; but when he see it was only me he took a good gap and stretch, and then he says:

"Hello, what's up? Don't cry, bub. What's the trouble?"

I says:

"Pap, and mam, and sis, and—"

Then I broke down. He says:

"Oh, dang it now, DON'T take on so; we all has to have our troubles, and this 'n 'll come out all right. What's the matter with 'em?"

"They're—they're—are you the watchman of the boat?"

"Yes," he says, kind of pretty-well-satisfied like. "I'm the captain and the owner and the mate and the pilot and watchman and head deck-hand; and sometimes I'm the freight and passengers. I ain't as rich as old Jim Hornback, and I can't be so blame' generous and good to Tom, Dick, and Harry as what he is, and slam around money the way he does; but I've told him a many a time 't I wouldn't trade places with him; for, says I, a sailor's life's the life for me, and I'm derned if I'D live two mile out o' town, where there ain't nothing ever goin' on, not for all his spondulicks and as much more on top of it. Says I—"

I broke in and says:

"They're in an awful peck of trouble, and—"

"WHO is?"

"Why, pap and mam and sis and Miss Hooker; and if you'd take your ferryboat and go up there—"

"Up where? Where are they?"

"On the wreck."

"What wreck?"

"Why, there ain't but one."

"What, you don't mean the Walter Scott?"

"Yes."

"Good land! what are they doin' THERE, for gracious sakes?"

"Well, they didn't go there a-purpose."

"I bet they didn't! Why, great goodness, there ain't no chance for 'em if they don't git off mighty quick! Why, how in the nation did they ever git into such a scrape?"

"Easy enough. Miss Hooker was a-visiting up there to the town—"

"Yes, Booth's Landing—go on."

"She was a-visiting there at Booth's Landing, and just in the edge of the evening she started over with her nigger woman in the horse-ferry to stay all night at her friend's house, Miss What-you-may-call-her I disremember her name—and they lost their steering-oar, and swung around and went a-floating down, stern first, about two mile, and saddle-baggsed on the wreck, and the ferryman and the nigger woman and the horses was all lost, but Miss Hooker she made a grab and got aboard the wreck. Well, about an hour after dark we come along down in our trading-scow, and it was so dark we didn't notice the wreck till we was right on it; and so WE saddle-baggsed; but all of us was saved but Bill Whipple—and oh, he WAS the best cretur !—I most wish 't it had been me, I do."

"My George! It's the beatenest thing I ever struck. And THEN what did you all do?"

"Well, we hollered and took on, but it's so wide there we couldn't make nobody hear. So pap said somebody got to get ashore and get help somehow. I was the only one that could swim, so I made a dash for it, and Miss Hooker she said if I didn't strike help sooner, come here and hunt up her uncle, and he'd fix the thing. I made the land about a mile below, and been fooling along ever since, trying to get people to do something, but they said, 'What, in such a night and such a current? There ain't no sense in it; go for the steam ferry.' Now if you'll go and—"

"By Jackson, I'd LIKE to, and, blame it, I don't know but I will; but who in the dingnation's a-going' to PAY for it? Do you reckon your pap—"

"Why THAT'S all right. Miss Hooker she tole me, PARTICULAR, that her uncle Hornback—"

"Great guns! is HE her uncle? Looky here, you break for that light over yonder-way, and turn out west when you git there, and about a quarter of a mile out you'll come to the tavern; tell 'em to dart you out to Jim Hornback's, and he'll foot the bill. And don't you fool around any, because he'll want to know the news. Tell him I'll have his niece all safe before he can get to town. Hump yourself, now; I'm a-going up around the corner here to roust out my engineer."

I struck for the light, but as soon as he turned the corner I went back and got into my skiff and bailed her out, and then pulled up shore in the easy water about six hundred yards, and tucked myself in among some woodboats; for I couldn't rest easy till I could see the ferryboat start. But take it all around, I was feeling ruther comfortable on accounts of taking all this trouble for that gang, for not many would a done it. I wished the widow knowed about it. I judged she would be proud of me for helping these rapscallions, because rapscallions and dead beats is the kind the widow and good people takes the most interest in.

Well, before long here comes the wreck, dim and dusky, sliding along down! A kind of cold shiver went through me, and then I struck out for her. She was very deep, and I see in a minute there warn't much chance for anybody being alive in her. I pulled all around her and hollered a little, but there wasn't any answer; all dead still. I felt a little bit heavy-hearted about the gang, but not much, for I reckoned if they could stand it I could.

Then here comes the ferryboat; so I shoved for the middle of the river on a long down-stream slant; and when I judged I was out of eye-reach I laid on my oars, and looked back and see her go and smell around the wreck for Miss Hooker's remainders, because the captain would know her uncle Hornback would want them; and then pretty soon the ferryboat give it up and went for the shore, and I laid into my work and went a-booming down the river.

It did seem a powerful long time before Jim's light showed up; and when it did show it looked like it was a thousand mile off. By the time I got there the sky was beginning to get a little gray in the east; so we struck for an island, and hid the raft, and sunk the skiff, and turned in and slept like dead people.

CHAPTER XIV.

BY and by, when we got up, we turned over the truck the gang had stole off of the wreck, and found boots, and blankets, and clothes, and all sorts of other things, and a lot of books, and a spyglass, and three boxes of seegars. We hadn't ever been this rich before in neither of our lives. The seegars was prime. We laid off all the afternoon in the woods talking, and me reading the books, and having a general good time. I told Jim all about what happened inside the wreck and at the ferryboat, and I said these kinds of things was adventures; but he said he didn't want no more adventures. He said that when I went in the texas and he crawled back to get on the raft and found her gone he nearly died, because he judged it was all up with HIM anyway it could be fixed; for if he didn't get saved he would get drownded; and if he did get saved, whoever saved him would send him back home so as to get the reward, and then Miss Watson would sell him South, sure. Well, he was right; he was most always right; he had an uncommon level head for a nigger.

I read considerable to Jim about kings and dukes and earls and such, and how gaudy they dressed, and how much style they put on, and called each other your majesty, and your grace, and your lordship, and so on, 'stead of mister; and Jim's eyes bugged out, and he was interested. He says:

"I didn' know dey was so many un um. I hain't hearn 'bout none un um, skasely, but ole King Sollermun, onless you counts dem kings dat's in a pack er k'yards. How much do a king git?"

"Get?" I says; "why, they get a thousand dollars a month if they want it; they can have just as much as they want; everything belongs to them."

"AIN' dat gay? En what dey got to do, Huck?"

"THEY don't do nothing! Why, how you talk! They just set around."

"No; is dat so?"

"Of course it is. They just set around—except, maybe, when there's a war; then they go to the war. But other times they just lazy around; or go hawking—just hawking and sp—Sh!—d' you hear a noise?"

We skipped out and looked; but it warn't nothing but the flutter of a steamboat's wheel away down, coming around the point; so we come back.

"Yes," says I, "and other times, when things is dull, they fuss with the parlyment; and if everybody don't go just so he whacks their heads off. But mostly they hang round the harem."

"Roun' de which?"

"Harem."

"What's de harem?"

"The place where he keeps his wives. Don't you know about the harem? Solomon had one; he had about a million wives."

"Why, yes, dat's so; I—I'd done forgot it. A harem's a bo'd'n-house, I reck'n. Mos' likely dey has rackety times in de nussery. En I reck'n de wives quarrels considable; en dat 'crease de racket. Yit dey say Sollermun de wises' man dat ever live'. I doan' take no stock in dat. Bekase why: would a wise man want to live in de mids' er sich a blim-blammin' all de time? No—'deed he wouldn't. A wise man 'ud take en buil' a biler-factry; en den he could shet DOWN de biler-factry when he want to res'."

"Well, but he WAS the wisest man, anyway; because the widow she told me so, her own self."

"I doan k'yer what de widder say, he WARN'T no wise man nuther. He had some er de dad-fetchedes' ways I ever see. Does you know 'bout dat chile dat he 'uz gwyne to chop in two?"

"Yes, the widow told me all about it."

"WELL, den! Warn' dat de beatenes' notion in de worl'? You jes' take en look at it a minute. Dah's de stump, dah—dat's one er de women; heah's you—dat's de yuther one; I's Sollermun; en dish yer dollar bill's de chile. Bofe un you claims it. What does I do? Does I shin aroun' mongs' de neighbors en fine out which un you de bill DO b'long to, en han' it over to de right one, all safe en soun', de way dat anybody dat had any gumption would? No; I take en whack de bill in TWO, en give half un it to you, en de yuther half to de yuther woman. Dat's de way Sollermun was gwyne to do wid de chile. Now I want to ast you: what's de use er dat half a bill?—can't buy noth'n wid it. En what use is a half a chile? I wouldn' give a dern for a million un um."

"But hang it, Jim, you've clean missed the point—blame it, you've missed it a thousand mile."

"Who? Me? Go 'long. Doan' talk to me 'bout yo' pints. I reck'n I knows sense when I sees it; en dey ain' no sense in sich doin's as dat. De 'spute warn't 'bout a half a chile, de 'spute was 'bout a whole chile; en de man dat think he kin settle a 'spute 'bout a whole chile wid a half a chile doan' know enough to come in out'n de rain. Doan' talk to me 'bout Sollermun, Huck, I knows him by de back."

"But I tell you you don't get the point."

"Blame de point! I reck'n I knows what I knows. En mine you, de REAL pint is down furder—it's down deeper. It lays in de way Sollermun was raised. You take a man dat's got on'y one or two chillen; is dat man gwyne to be waseful o' chillen? No, he ain't; he can't 'ford it. HE know how to value 'em. But you take a man dat's got 'bout five million chillen runnin' roun' de house, en it's diffunt. HE as soon chop a chile in two as a cat. Dey's plenty mo'. A chile er two, mo' er less, warn't no consekens to Sollermun, dad fatch him!"

I never see such a nigger. If he got a notion in his head once, there warn't no getting it out again. He was the most down on Solomon of any nigger I ever see. So I went to talking about other kings, and let Solomon slide. I told about Louis Sixteenth that got his head cut off in France long time ago; and about his little boy the dolphin, that would a been a king, but they took and shut him up in jail, and some say he died there.

"Po' little chap."

"But some says he got out and got away, and come to America."

"Dat's good! But he'll be pooty lonesome—dey ain' no kings here, is dey, Huck?"

"No."

"Den he cain't git no situation. What he gwyne to do?"

"Well, I don't know. Some of them gets on the police, and some of them learns people how to talk French."

"Why, Huck, doan' de French people talk de same way we does?"

"NO, Jim; you couldn't understand a word they said—not a single word."

"Well, now, I be ding-busted! How do dat come?"

"I don't know; but it's so. I got some of their jabber out of a book. S'pose a man was to come to you and say Polly-voo-franzy—what would you think?"

"I wouldn' think nuff'n; I'd take en bust him over de head—dat is, if he warn't white. I wouldn't 'low no nigger to call me dat."

"Shucks, it ain't calling you anything. It's only saying, do you know how to talk French?"

"Well, den, why couldn't he SAY it?"

"Why, he IS a-saying it. That's a Frenchman's WAY of saying it."

"Well, it's a blame ridicklous way, en I doan' want to hear no mo' 'bout it. Dey ain' no sense in it."

"Looky here, Jim; does a cat talk like we do?"

"No, a cat don't."

"Well, does a cow?"

"No, a cow don't, nuther."

"Does a cat talk like a cow, or a cow talk like a cat?"

"No, dey don't."

"It's natural and right for 'em to talk different from each other, ain't it?"

"Course."

"And ain't it natural and right for a cat and a cow to talk different from US?"

"Why, mos' sholy it is."

"Well, then, why ain't it natural and right for a FRENCHMAN to talk different from us? You answer me that."

"Is a cat a man, Huck?"

"No."

"Well, den, dey ain't no sense in a cat talkin' like a man. Is a cow a man?—er is a cow a cat?"

"No, she ain't either of them."

"Well, den, she ain't got no business to talk like either one er the yuther of 'em. Is a Frenchman a man?"

"Yes."

"WELL, den! Dad blame it, why doan' he TALK like a man? You answer me DAT!"

I see it warn't no use wasting words—you can't learn a nigger to argue. So I quit.

CHAPTER XV.

WE judged that three nights more would fetch us to Cairo, at the bottom of Illinois, where the Ohio River comes in, and that was what we was after. We would sell the raft and get on a steamboat and go way up the Ohio amongst the free States, and then be out of trouble.

Well, the second night a fog begun to come on, and we made for a towhead to tie to, for it wouldn't do to try to run in a fog; but when I paddled ahead in the canoe, with the line to make fast, there warn't anything but little saplings to tie to. I passed the line around one of them right on the edge of the cut bank, but there was a stiff current, and the raft come booming down so lively she tore it out by the roots and away she went. I see the fog closing down, and it made me so sick and scared I couldn't budge for most a half a minute it seemed to me—and then there warn't no raft in sight; you couldn't see twenty yards. I jumped into the canoe and run back to the stern, and grabbed the paddle and set her back a stroke. But she didn't come. I was in such a hurry I hadn't untied her. I got up and tried to untie her, but I was so excited my hands shook so I couldn't hardly do anything with them.

As soon as I got started I took out after the raft, hot and heavy, right down the towhead. That was all right as far as it went, but the towhead warn't sixty yards long, and the minute I flew by the foot of it I shot out into the solid white fog, and hadn't no more idea which way I was going than a dead man.

Thinks I, it won't do to paddle; first I know I'll run into the bank or a towhead or something; I got to set still and float, and yet it's mighty fidgety business to have to hold your hands still at such a time. I whooped and listened. Away down there somewheres I hears a small whoop, and up comes my spirits. I went tearing after it, listening sharp to hear it again. The next time it come I see I warn't heading for it, but heading away to the right of it. And the next time I was heading away to the left of it—and not gaining on it much either, for I was flying around, this way and that and t'other, but it was going straight ahead all the time.

I did wish the fool would think to beat a tin pan, and beat it all the time, but he never did, and it was the still places between the whoops that was making the trouble for me. Well, I fought along, and directly I hears the whoop BEHIND me. I was tangled good now. That was somebody else's whoop, or else I was turned around.

I throwed the paddle down. I heard the whoop again; it was behind me yet, but in a different place; it kept coming, and kept changing its place, and I kept answering, till by and by it was in front of me again, and I knowed the current had swung the canoe's head down-stream, and I was all right if that was Jim and not some other raftsman hollering. I couldn't tell nothing about voices in a fog, for nothing don't look natural nor sound natural in a fog.

The whooping went on, and in about a minute I come a-booming down on a cut bank with smoky ghosts of big trees on it, and the current throwed me off to the left and shot by, amongst a lot of snags that fairly roared, the currrent was tearing by them so swift.

In another second or two it was solid white and still again. I set perfectly still then, listening to my heart thump, and I reckon I didn't draw a breath while it thumped a hundred.

I just give up then. I knowed what the matter was. That cut bank was an island, and Jim had gone down t'other side of it. It warn't no towhead that you could float by in ten minutes. It had the big timber of a regular island; it might be five or six miles long and more than half a mile wide.

I kept quiet, with my ears cocked, about fifteen minutes, I reckon. I was floating along, of course, four or five miles an hour; but you don't ever think of that. No, you FEEL like you are laying dead still on the water; and if a little glimpse of a snag slips by you don't think to yourself how fast YOU'RE going, but you catch your breath and think, my! how that snag's tearing along. If you think it ain't dismal and lonesome out in a fog that way by yourself in the night, you try it once—you'll see.

Next, for about a half an hour, I whoops now and then; at last I hears the answer a long ways off, and tries to follow it, but I couldn't do it, and directly I judged I'd got into a nest of towheads, for I had little dim glimpses of them on both sides of me—sometimes just a narrow channel between, and some that I couldn't see I knowed was there because I'd hear the wash of the current against the old dead brush and trash that hung over the banks. Well, I warn't long loosing the whoops down amongst the towheads; and I only tried to chase them a little while, anyway, because it was worse than chasing a Jack-o'-lantern. You never knowed a sound dodge around so, and swap places so quick and so much.

I had to claw away from the bank pretty lively four or five times, to keep from knocking the islands out of the river; and so I judged the raft must be butting into the bank every now and then, or else it would get further ahead and clear out of hearing—it was floating a little faster than what I was.

Well, I seemed to be in the open river again by and by, but I couldn't hear no sign of a whoop nowheres. I reckoned Jim had fetched up on a snag, maybe, and it was all up with him. I was good and tired, so I laid down in the canoe and said I wouldn't bother no more. I didn't want to go to sleep, of course; but I was so sleepy I couldn't help it; so I thought I would take jest one little cat-nap.

But I reckon it was more than a cat-nap, for when I waked up the stars was shining bright, the fog was all gone, and I was spinning down a big bend stern first. First I didn't know where I was; I thought I was dreaming; and when things began to come back to me they seemed to come up dim out of last week.

It was a monstrous big river here, with the tallest and the thickest kind of timber on both banks; just a solid wall, as well as I could see by the stars. I looked away down-stream, and seen a black speck on the water. I took after it; but when I got to it it warn't nothing but a couple of sawlogs made fast together. Then I see another speck, and chased that; then another, and this time I was right. It was the raft.

When I got to it Jim was setting there with his head down between his knees, asleep, with his right arm hanging over the steering-oar. The other oar was smashed off, and the raft was littered up with leaves and branches and dirt. So she'd had a rough time.

I made fast and laid down under Jim's nose on the raft, and began to gap, and stretch my fists out against Jim, and says:

"Hello, Jim, have I been asleep? Why didn't you stir me up?"

"Goodness gracious, is dat you, Huck? En you ain' dead—you ain' drownded—you's back agin? It's too good for true, honey, it's too good for true. Lemme look at you chile, lemme feel o' you. No, you ain' dead! you's back agin, 'live en soun', jis de same ole Huck—de same ole Huck, thanks to goodness!"

"What's the matter with you, Jim? You been a-drinking?"

"Drinkin'? Has I ben a-drinkin'? Has I had a chance to be a-drinkin'?"

"Well, then, what makes you talk so wild?"

"How does I talk wild?"

"HOW? Why, hain't you been talking about my coming back, and all that stuff, as if I'd been gone away?"

"Huck—Huck Finn, you look me in de eye; look me in de eye. HAIN'T you ben gone away?"

"Gone away? Why, what in the nation do you mean? I hain't been gone anywheres. Where would I go to?"

"Well, looky here, boss, dey's sumf'n wrong, dey is. Is I ME, or who IS I? Is I heah, or whah IS I? Now dat's what I wants to know."

"Well, I think you're here, plain enough, but I think you're a tangle-headed old fool, Jim."

"I is, is I? Well, you answer me dis: Didn't you tote out de line in de canoe fer to make fas' to de tow-head?"

"No, I didn't. What tow-head? I hain't see no tow-head."

"You hain't seen no towhead? Looky here, didn't de line pull loose en de raf' go a-hummin' down de river, en leave you en de canoe behine in de fog?"

"What fog?"

"Why, de fog!—de fog dat's been aroun' all night. En didn't you whoop, en didn't I whoop, tell we got mix' up in de islands en one un us got los' en t'other one was jis' as good as los', 'kase he didn' know whah he wuz? En didn't I bust up agin a lot er dem islands en have a turrible time en mos' git drownded? Now ain' dat so, boss—ain't it so? You answer me dat."

"Well, this is too many for me, Jim. I hain't seen no fog, nor no islands, nor no troubles, nor nothing. I been setting here talking with you all night till you went to sleep about ten minutes ago, and I reckon I done the same. You couldn't a got drunk in that time, so of course you've been dreaming."

"Dad fetch it, how is I gwyne to dream all dat in ten minutes?"

"Well, hang it all, you did dream it, because there didn't any of it happen."

"But, Huck, it's all jis' as plain to me as—"

"It don't make no difference how plain it is; there ain't nothing in it. I know, because I've been here all the time."

Jim didn't say nothing for about five minutes, but set there studying over it. Then he says:

"Well, den, I reck'n I did dream it, Huck; but dog my cats ef it ain't de powerfullest dream I ever see. En I hain't ever had no dream b'fo' dat's tired me like dis one."

"Oh, well, that's all right, because a dream does tire a body like everything sometimes. But this one was a staving dream; tell me all about it, Jim."

So Jim went to work and told me the whole thing right through, just as it happened, only he painted it up considerable. Then he said he must start in and "'terpret" it, because it was sent for a warning. He said the first towhead stood for a man that would try to do us some good, but the current was another man that would get us away from him. The whoops was warnings that would come to us every now and then, and if we didn't try hard to make out to understand them they'd just take us into bad luck, 'stead of keeping us out of it. The lot of towheads was troubles we was going to get into with quarrelsome people and all kinds of mean folks, but if we minded our business and didn't talk back and aggravate them, we would pull through and get out of the fog and into the big clear river, which was the free States, and wouldn't have no more trouble.

It had clouded up pretty dark just after I got on to the raft, but it was clearing up again now.

"Oh, well, that's all interpreted well enough as far as it goes, Jim," I says; "but what does THESE things stand for?"

It was the leaves and rubbish on the raft and the smashed oar. You could see them first-rate now.

Jim looked at the trash, and then looked at me, and back at the trash again. He had got the dream fixed so strong in his head that he couldn't seem to shake it loose and get the facts back into its place again right away. But when he did get the thing straightened around he looked at me steady without ever smiling, and says:

"What do dey stan' for? I'se gwyne to tell you. When I got all wore out wid work, en wid de callin' for you, en went to sleep, my heart wuz mos' broke bekase you wuz los', en I didn' k'yer no' mo' what become er me en de raf'. En when I wake up en fine you back agin, all safe en soun', de tears come, en I could a got down on my knees en kiss yo' foot, I's so thankful. En all you wuz thinkin' 'bout wuz how you could make a fool uv ole Jim wid a lie. Dat truck dah is TRASH; en trash is what people is dat puts dirt on de head er dey fren's en makes 'em ashamed."

Then he got up slow and walked to the wigwam, and went in there without saying anything but that. But that was enough. It made me feel so mean I could almost kissed HIS foot to get him to take it back.

It was fifteen minutes before I could work myself up to go and humble myself to a nigger; but I done it, and I warn't ever sorry for it afterwards, neither. I didn't do him no more mean tricks, and I wouldn't done that one if I'd a knowed it would make him feel that way.

    *** END OF THE PROJECT GUTENBERG EBOOK HUCK FINN, BY TWAIN, PART 3. ***

    ******* This file should be named hfin310h.html or hfin310h.zip *******

    Corrected EDITIONS of our eBooks get a new NUMBER, hfin311h.html
    VERSIONS based on separate sources get new LETTER, hfin310ha.html

    This eBook was produced by David Widger, [widger@cecomet.net]

    Project Gutenberg eBooks are often created from several printed
    editions, all of which are confirmed as Public Domain in the US
    unless a copyright notice is included.  Thus, we usually do not
    keep eBooks in compliance with any particular paper edition.

    We are now trying to release all our eBooks one year in advance
    of the official release dates, leaving time for better editing.
    Please be encouraged to tell us about any error or corrections,
    even years after the official publication date.

    Please note neither this listing nor its contents are final til
    midnight of the last day of the month of any such announcement.
    The official release date of all Project Gutenberg eBooks is at
    Midnight, Central Time, of the last day of the stated month.  A
    preliminary version may often be posted for suggestion, comment
    and editing by those who wish to do so.

    Most people start at our Web sites at:
    http://gutenberg.net or
    http://promo.net/pg

    These Web sites include award-winning information about Project
    Gutenberg, including how to donate, how to help produce our new
    eBooks, and how to subscribe to our email newsletter (free!).

    Those of you who want to download any eBook before announcement
    can get to them as follows, and just download by date.  This is
    also a good way to get them instantly upon announcement, as the
    indexes our cataloguers produce obviously take a while after an
    announcement goes out in the Project Gutenberg Newsletter.

    http://www.ibiblio.org/gutenberg/etext03 or
    ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03

    Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90

    Just search by the first five letters of the filename you want,
    as it appears in our Newsletters.

    Information about Project Gutenberg (one page)

    We produce about two million dollars for each hour we work.  The
    time it takes us, a rather conservative estimate, is fifty hours
    to get any eBook selected, entered, proofread, edited, copyright
    searched and analyzed, the copyright letters written, etc.   Our
    projected audience is one hundred million readers.  If the value
    per text is nominally estimated at one dollar then we produce $2
    million dollars per hour in 2002 as we release over 100 new text
    files per month:  1240 more eBooks in 2001 for a total of 4000+
    We are already on our way to trying for 2000 more eBooks in 2002
    If they reach just 1-2% of the world's population then the total
    will reach over half a trillion eBooks given away by year's end.

    The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
    This is ten thousand titles each to one hundred million readers,
    which is only about 4% of the present number of computer users.

    Here is the briefest record of our progress (* means estimated):

    eBooks Year Month

        1  1971 July
       10  1991 January
      100  1994 January
     1000  1997 August
     1500  1998 October
     2000  1999 December
     2500  2000 December
     3000  2001 November
     4000  2001 October/November
     6000  2002 December*
     9000  2003 November*
    10000  2004 January*

    The Project Gutenberg Literary Archive Foundation has been created
    to secure a future for Project Gutenberg into the next millennium.

    We need your donations more than ever!

    As of February, 2002, contributions are being solicited from people
    and organizations in: Alabama, Alaska, Arkansas, Connecticut,
    Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
    Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
    Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
    Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
    Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
    Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
    Virginia, Wisconsin, and Wyoming.

    We have filed in all 50 states now, but these are the only ones
    that have responded.

    As the requirements for other states are met, additions to this list
    will be made and fund raising will begin in the additional states.
    Please feel free to ask to check the status of your state.

    In answer to various questions we have received on this:

    We are constantly working on finishing the paperwork to legally
    request donations in all 50 states.  If your state is not listed and
    you would like to know if we have added it since the list you have,
    just ask.

    While we cannot solicit donations from people in states where we are
    not yet registered, we know of no prohibition against accepting
    donations from donors in these states who approach us with an offer to
    donate.

    International donations are accepted, but we don't know ANYTHING about
    how to make them tax-deductible, or even if they CAN be made
    deductible, and don't have the staff to handle it even if there are
    ways.

    Donations by check or money order may be sent to:

    Project Gutenberg Literary Archive Foundation
    PMB 113
    1739 University Ave.
    Oxford, MS 38655-4109

    Contact us if you want to arrange for a wire transfer or payment
    method other than by check or money order.

    The Project Gutenberg Literary Archive Foundation has been approved by
    the US Internal Revenue Service as a 501(c)(3) organization with EIN
    [Employee Identification Number] 64-622154.  Donations are
    tax-deductible to the maximum extent permitted by law.  As fund-raising
    requirements for other states are met, additions to this list will be
    made and fund-raising will begin in the additional states.

    We need your donations more than ever!

    You can get up to date donation information online at:

    http://www.gutenberg.net/donation.html

    ***

    If you can't reach Project Gutenberg,
    you can always email directly to:

    Michael S. Hart [hart@pobox.com]

    Prof. Hart will answer or forward your message.

    We would prefer to send you information by email.

    **The Legal Small Print**

    (Three Pages)

    ***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START***
    Why is this "Small Print!" statement here? You know: lawyers.
    They tell us you might sue us if there is something wrong with
    your copy of this eBook, even if you got it for free from
    someone other than us, and even if what's wrong is not our
    fault. So, among other things, this "Small Print!" statement
    disclaims most of our liability to you. It also tells you how
    you may distribute copies of this eBook if you want to.

    *BEFORE!* YOU USE OR READ THIS EBOOK
    By using or reading any part of this PROJECT GUTENBERG-tm
    eBook, you indicate that you understand, agree to and accept
    this "Small Print!" statement. If you do not, you can receive
    a refund of the money (if any) you paid for this eBook by
    sending a request within 30 days of receiving it to the person
    you got it from. If you received this eBook on a physical
    medium (such as a disk), you must return it with your request.

    ABOUT PROJECT GUTENBERG-TM EBOOKS
    This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks,
    is a "public domain" work distributed by Professor Michael S. Hart
    through the Project Gutenberg Association (the "Project").
    Among other things, this means that no one owns a United States copyright
    on or for this work, so the Project (and you!) can copy and
    distribute it in the United States without permission and
    without paying copyright royalties. Special rules, set forth
    below, apply if you wish to copy and distribute this eBook
    under the "PROJECT GUTENBERG" trademark.

    Please do not use the "PROJECT GUTENBERG" trademark to market
    any commercial products without permission.

    To create these eBooks, the Project expends considerable
    efforts to identify, transcribe and proofread public domain
    works. Despite these efforts, the Project's eBooks and any
    medium they may be on may contain "Defects". Among other
    things, Defects may take the form of incomplete, inaccurate or
    corrupt data, transcription errors, a copyright or other
    intellectual property infringement, a defective or damaged
    disk or other eBook medium, a computer virus, or computer
    codes that damage or cannot be read by your equipment.

    LIMITED WARRANTY; DISCLAIMER OF DAMAGES
    But for the "Right of Replacement or Refund" described below,
    [1] Michael Hart and the Foundation (and any other party you may
    receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims
    all liability to you for damages, costs and expenses, including
    legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
    UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
    INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
    OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
    POSSIBILITY OF SUCH DAMAGES.

    If you discover a Defect in this eBook within 90 days of
    receiving it, you can receive a refund of the money (if any)
    you paid for it by sending an explanatory note within that
    time to the person you received it from. If you received it
    on a physical medium, you must return it with your note, and
    such person may choose to alternatively give you a replacement
    copy. If you received it electronically, such person may
    choose to alternatively give you a second opportunity to
    receive it electronically.

    THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
    WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
    TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
    LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
    PARTICULAR PURPOSE.

    Some states do not allow disclaimers of implied warranties or
    the exclusion or limitation of consequential damages, so the
    above disclaimers and exclusions may not apply to you, and you
    may have other legal rights.

    INDEMNITY
    You will indemnify and hold Michael Hart, the Foundation,
    and its trustees and agents, and any volunteers associated
    with the production and distribution of Project Gutenberg-tm
    texts harmless, from all liability, cost and expense, including
    legal fees, that arise directly or indirectly from any of the
    following that you do or cause:  [1] distribution of this eBook,
    [2] alteration, modification, or addition to the eBook,
    or [3] any Defect.

    DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
    You may distribute copies of this eBook electronically, or by
    disk, book or any other medium if you either delete this
    "Small Print!" and all other references to Project Gutenberg,
    or:

    [1]  Only give exact copies of it.  Among other things, this
         requires that you do not remove, alter or modify the
         eBook or this "small print!" statement.  You may however,
         if you wish, distribute this eBook in machine readable
         binary, compressed, mark-up, or proprietary form,
         including any form resulting from conversion by word
         processing or hypertext software, but only so long as
         *EITHER*:

         [*]  The eBook, when displayed, is clearly readable, and
              does *not* contain characters other than those
              intended by the author of the work, although tilde
              (~), asterisk (*) and underline (_) characters may
              be used to convey punctuation intended by the
              author, and additional characters may be used to
              indicate hypertext links; OR

         [*]  The eBook may be readily converted by the reader at
              no expense into plain ASCII, EBCDIC or equivalent
              form by the program that displays the eBook (as is
              the case, for instance, with most word processors);
              OR

         [*]  You provide, or agree to also provide on request at
              no additional cost, fee or expense, a copy of the
              eBook in its original plain ASCII form (or in EBCDIC
              or other equivalent proprietary form).

    [2]  Honor the eBook refund and replacement provisions of this
         "Small Print!" statement.

    [3]  Pay a trademark license fee to the Foundation of 20% of the
         gross profits you derive calculated using the method you
         already use to calculate your applicable taxes.  If you
         don't derive profits, no royalty is due.  Royalties are
         payable to "Project Gutenberg Literary Archive Foundation"
         the 60 days following each date you prepare (or were
         legally required to prepare) your annual (or equivalent
         periodic) tax return.  Please contact us beforehand to
         let us know your plans and to work out the details.

    WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
    Project Gutenberg is dedicated to increasing the number of
    public domain and licensed works that can be freely distributed
    in machine readable form.

    The Project gratefully accepts contributions of money, time,
    public domain materials, or royalty free copyright licenses.
    Money should be paid to the:
    "Project Gutenberg Literary Archive Foundation."

    If you are interested in contributing scanning equipment or
    software or other items, please contact Michael Hart at:
    hart@pobox.com

    [Portions of this eBook's header and trailer may be reprinted only
    when distributed free of all fees.  Copyright (C) 2001, 2002 by
    Michael S. Hart.  Project Gutenberg is a TradeMark and may not be
    used in any sales of Project Gutenberg eBooks or other materials be
    they hardware or software or any other related product without
    express permission.]

    *END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*